Pádraic E. Moore

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Pádraic E. Moore (b. 1982) is a writer, curator and art historian. He holds a BA in History of Art and English Literature from University College Dublin (2004), an MA in Visual Art Practices from IADT, Dublin (2007) and completed CuratorLab, the postgraduate programme at Konstfack University, Stockholm (2010). Moore is a former participant of the Jan van Eyck Academy, Maastricht (2014-15). Moore’s practice is shaped by the belief that visual art enables alternative modes of interaction in a world increasingly led by techno­logical rationality. Moore’s curatorial methodology is meticulous but subjective, and is informed by an acute awareness of the artist’s individual position.

Moore’s research interests focus on the influence of esoteric philosophies upon the literary and visual arts. Recent study considers how occult organisations, such as the Theosophical Society, offered a vital catalyst for change in late 19th and early 20th century art. Moore’s projects often explore how contemporary culture has embraced aesthetics and ideals informed by such esoteric traditions; chronicling the work of artists who refer to or follow in this tradition is an integral aspect of his practice. Recent projects include: Cut-Out Shapes in Secondhand Daylight, Marian Cramer Projects, Amsterdam (2017); Drawing Down the Moon, Irish Museum of Modern Art, Dublin (2017)I Went to the Woods: The Artist as Wanderer, Glucksman Gallery, Cork (2016) Music for Chameleons, a project for Parcours: Art Basel, (2016); Ectoplasm, 1646 Projects, The Hague, (2016) Now is forever lasting constant in the mind, Van Abbemuseum, Eindhoven, (2016); Ψ (Psi), Fokidos Gallery, Athens, (2015). Forthcoming projects include Letters of Last Resort a publication and group exhibition at Damien and The Love Guru. Brussels.

Independent curatorial projects include: The Girl With The Sun In Her Head, Jan Van Eyck Academie, Maastricht (2015); A Modern Panarion, Dublin City Gallery The Hugh Lane, Dublin (2014); The Temple of Psychic Youth, Kevin Kavanagh Gallery, Dublin (2013); As Above, So Below, G126, Galway (2012); Luminous Flux: Andreas Kindler von Knobloch, Oonagh Young Gallery, Dublin (2012); Conclave: Agne Raceviciute, Galleria Collicaligreggi, Catania (2012); Maradona two for four: Cullinan/Richards, The Lab, Dublin (2010); Aion Experiments, Project Arts Centre, Dublin (2010); Sunday Night: Aleana Egan, Temple Bar Gallery, Dublin (2009); Whispering Pines: Shana Moulton, Broadcast Gallery, Dublin (2009).

Co-curated projects include: Journey to the Lower World: Marcus Coates, EVA International, Limerick (2012);  Periodical Review, Pallas Contemporary Projects, Dublin (2012); Vedere un oggetto, verdure la luce / To see an object, to see the light, Fondazione Sandretto Re Rebaudengo, Guarene/Turin (2011); Nevertheless Faith is in the Air, Moderna Museet, Stockholm (2010);  Invocation of My Demon Brother, Irish Film Institute, Dublin (2010).  Moore was assistant curator at Dublin City Gallery The Hugh Lane for several years and worked on a number of exhibitions, including Disturbance: Willie Doherty  (2011); Civil Rights, Richard Hamilton / Rita Donagh (2011); A Terrible Beauty: Francis Bacon (2009); Now’s The Time (2008); Egg Fight: Yinka Shonibare (2008).

Moore has participated in several residencies including the One-to-One residency at Cove Park, Argyll and Bute (2016); 1646 project space residency, The Hague (2015); Israeli Centre for Digital Art Research Residency, Holon (2012), Young Curators Residency Programme at Fondazione Sandretto Re Rebaudengo, Turin (2011) Curatorial Studio Award at Temple Bar Gallery and Studios, Dublin (2009/10) and Pilotprojekt Gropiusstadt Residency Programme, Berlin (2007). Moore is a member of AICA (International Association of Art Critics) and IKT (International Association of Curators of Contemporary Art). He has written extensively for exhibition catalogues, websites, magazines and journals.


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